She stands at the water's edge with the gorge falling away to either side — and the size you choose decides whether the room looks into that place or opens onto it.

The weight gathers at the center: the figure at the pool's edge, one ram above her on the rock and one settled at her feet, the moon breaking through the arch behind, the waterfall carrying down the right. Width governs firmly at nearly twice as wide as tall, and the gorge needs real lateral clearance before it can open. Center the frame rather than the figure — the composition carries its weight at the axis without being mirrored, and forcing her to the midpoint throws the whole span off balance. Whatever stands below sets the hang: chased upward toward a cornice, the work strands the fountain beneath it and lifts her clear of the sightline she was built for. Modest sizes hold the fall of wet drapery, the ridged curve of horn, the single koi breaking a black surface. Chosen large, the piece becomes the deep horizontal the room arranges itself around.

• Lateral Clearance — 12–18 in (30–46 cm) per side for small works; 18–30+ in (46–76+ cm) for large
• Hang Height — lower edge 8–12 in (20–30 cm) above what stands below, read from seated and standing
• Artwork Width — 70–85% of the console, fountain, or seating width beneath it
• Viewing Distance — 5–8 ft (1.5–2.4 m) for detail; 10–16 ft (3.0–4.9 m) for the full composition