Peronella stands frozen before a face weathered into being — and the size you choose decides whether the room glimpses that stillness or keeps it.

Scale here comes from a single towering presence: a colossal stone face risen through a wetland forest of bare and leafing trees, moss and mist having made it over centuries. She stands hooded at its base, hands clasped, head bowed — paused rather than climbing, caught before something too vast to answer back. Because the stone's weight sits high and her stillness sits low, hang height carries real consequence: with the lower edge 8–12 inches above the sofa, her bowed figure stays readable from a seated position while the monolith above still has room to loom toward the ceiling rather than crowd into it. At modest sizes the piece reads as a quiet clearing glimpsed through the trees, holding the moss threading the face and the spiderweb caught low in its shadow. Chosen large, the stone's scale becomes the room's own architecture, and the work stops being a window and becomes the room's quiet vigil.

• Lateral Clearance — 12–18 in (30–46 cm) per side for small works; 18–30+ in (46–76+ cm) for large
• Hang Height — lower edge 8–12 in (20–30 cm) above the furniture, read from seated and standing
• Artwork Width — 70–85% of the sofa or console width beneath it
• Viewing Distance — 5–8 ft (1.5–2.4 m) close; 8–14 ft (2.4–4.3 m) for the full climb